cathymcevoy

Autumn/Winter 2025 Current goings-on………………

I’m out of the country right now, doing some volunteering with an amazing organisation called Everyday Homeless in Colombia. So expect this page to be a little bit quiet for the foreseeable. But here are some gigs I’m really looking forward to in the new year: Jan. 28th – Cat & Cage Folk Club with Clara Rose & the Relatives The Cat & Cage Folk Club is one of my favourite arts nights in Dublin – a fortnightly series of gigs, showcasing the finest musical talent from Dublin & beyond. It’s curated by my trad colleague Graham Watson,audio-engineer, producer & founder of FloodPlain Studios, in conjunction with the lovely Bernie McGrattan & her amazing staff at the Cat & Cage, Drumcondra.

In a city that’s rapidly losing all of its creative spaces, the Folk Club does amazing work presenting & promoting a diverse wealth of talent, from the as-yet-undiscovered song-writer, to up-and-coming & more established artists, of all genres, from folk to jazz, country, pop, trad, electronica & all in between. I’ve appeared at the folk club with various ensemble over the past year, and will be doing a Cathy McEvoy gig there in June – details to follow! – but next up, fiddle-duty with the ferociously talented Clara Rose

Then on Feb. 8th we’ve got the Spring 2026 Edition of the Back Room Dispatch –

The Back Room Dispatch is Ireland’s premier songwriter salon, where emerging solo songwriters get to reimagine their songs with the backing of a house band comprised of professional session musicians, usually in the Back Room – hence the name! – at Dublin’s top grassroots venue, The Cobblestone. I realise this is confusing, but we’re relocating to the Cat & Cage for our February event. Because, like I say, there’s not a lot of creative spaces left in Dublin, and Bernie & her crew at the Cat & Cage are one of the rare venues that are happy to support the arts.

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And here’s some fun things I managed to squeeze in just before I left…..

Clara Rose, my good friend and musical collaborator – see above for details of January appearances! – has just released her newest video, Callin’ for the Kid. An original song inspired by Clara’s late Grandfather and his adventures in music & life, it’s available for download from Bandcamp at ‘Callin for the Kid | Clara Rose’. That fiddle player lurking in the background is me.

And I’m still on a bit of a high from two recent gigs that I consider a little bit special. On July 29th I had the opportunity to showcase my original music in my (adopted) home town of Ashbourne, Co. Meath for the first time ever. I was fortunate enough to receive a Professional Artist Development Award from the Creative Ireland Programme/ Meath Arts Office, and I used the funding to present a Cathy McEvoy gig with a kick-ass band comprised of Pádraig Kilbride (piano), Paddy Joyce (bass guitar) and Brian Tavey (guitar + percussion). As anybody who works in the arts will know, the costs involved in performing professional quality original music can be prohibitively high, making audience development close to impossible for emerging artists, unless you’re in a position to absorb those costs yourself. So fair play to Meath Arts Office + Creative Ireland for supporting original artists. It was a lovely evening of music making and I’m still savouring it.

The second one was the Summer 2025 edition of The Back Room Dispatch, on August 14th

The Back Room Dispatch is Ireland’s premier songwriter salon, where emerging solo songwriters get to reimagine their songs with the backing of a house band comprised of professional session musicians, in Dublin city’s top grassroots venue, The Cobblestone. For the Summer 2025 edition, our featured songwriters were Sive, Matthew Lennon and Cathy McEvoy, backed by the superb Back Room Dispatch house band: Padraig Kilbride (keyboard), Paddy Joyce (bass) and Paddy Hopkins (drums). Special guest was award-winning vocal harmony group Glór Eile. It was a terrific night of creativity – and the venue was packed, no small achievement for an original music event.

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Summertime…. when the living is easy, for musicians at least! Wedding season has been keeping me out of trouble, both as a violinist and in my role with The Gospel Project. On violin/trad duty, you’ll also catch me in the likes of the Ashling Hotel, Hynes’s Bar on Thursday nights and, occasionally, the Cat & Cage bar.

Recent goings-on:

Before all that, early summer had me doing some interesting gigs. My trad colleague, Graham Watson, has been doing amazing work running the Cat and Cage Folk Club It’s a really cool arts night, in a gorgeous venue (and nice to see something like this happening on Dublin’s northside!), and on May 21st, Cathy & Marion McEvoy made an appearance as special guests.

It was also great fun to reunite with a returning member of The Gospel Project, Enda Reilly for a performance on May 16th. Enda is a superb songwriter who sang baritone with us until 2019, when he departed these shores to live in the U.S. He was back in Ireland for one week only and we were delighted to nab him for a double-header gig in the Lutheran Church in Dublin City centre.

Choir-wise; Sandymount Gospel Choir and Portmarnock Singers are just winding up our Spring performances, and Sing Your Heart Out choir just had a cracking end-of-term concert in Waltons on June 19th, with the grand finale to come this Thursday 26th at the National Concert Hall, as part of Waltons end-of-year gala concert And as well as workplace choirs, I’ve been facilitating two Music in Mind groups this term, one in Maynooth and one in Portlaoise.

But I have to mention that all of this is happening in the wake of a bereavement. We lost my great friend, musical collaborator, and co-founder of The Gospel Project, Anne-Marie Redmond, on December 15th. She’s there in everything I do right now, and probably always will be.

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A highlight of 2024 for me was an event I organised in November called Dublin Says Yes, showcasing the talents of migrant artists. I wanted to do something to mark the anniversary of the horrific Dublin riots of 2023, but in a positive way; celebrating the people who make this city better, instead of giving any more time or media attention to the thugs who wanted to burn it down on that awful night last year. We had comedy from Nehal Singh, the astonishing vocal talents of Justine Nantale – with some help from members of Discovery Gospel Choir – and Brazilian-influenced tunes from Luisa Annibali and her stunning 6-piece band. It was an unforgettable night and I’m proud to have been involved.

I suppose organising Dublin Says Yes tied in with the musician/activist space I’ve sort of accidentally fallen into, another example being my song Barricade the Sky:

The song was a response to something I used to witness every day on my journey into Dublin city centre, which would take me past a centre that at the time was being used as temporary accommodation for asylum seekers. A small, but bizarrely committed, group of protesters maintained a constant vigil outside it, waving tricolours and banners with scaremongering slogans referencing ‘Unvetted Military Aged Men’ and claiming ‘Ireland is Full’. No, it’s not. Ireland is one of the wealthiest countries in the world, and also one of the most sparsely populated, and those of us who were lucky enough to be born here don’t get to decide who else has the right to safety. We have some serious infrastructural problems, but you can’t blame that on migrants. And if you do go down that road, where will you draw the line?

Like I say, 2024 is a pretty quiet year for wedding suppliers in general, and The Gospel Project was obviously no exception. Want to know why? Check out a post I wrote on this very topic, wearing my Artistic Director hat for The Gospel Project. But we still managed to raise a few roofs at some really lovely ceremonies; not only that but, in a summer not exactly distinguished by beautiful weather, the sun came out when it really mattered for a few of special outdoor celebrations:

Before the summer break, it was peak-choir, as usual; Sandymount Gospel Choir‘s annual charity concert was on Friday June 7th and this year it was for a cause very, very dear to my heart, Tiglin at the Lighthouse, Pearse Street. There was also Sing Your Heart Out choir’s in-house performance onJune 20th, and a performance by Glóreile on June 22nd at Seán O’Casey Theatre

The Gospel Project had a rather magical gig at the National Concert Hall This was quite a big deal for us because…well, because it’s the National Concert Hall….but also due to the fact that, having appeared there in 2018 and 2019, we were last scheduled to play at this exact event, the final of Waltons Music for Schools Competition, in March 2020. The pandemic had other ideas as it turns out, but a mere 4 years later we’re delighted to be back! Talented young performers travel from all over the country for the event, and our task was to keep them entertained while the judges agonised over their final decision. I think we could call that Mission Accomplished!

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Travelled to Derry Choir Festival with my Glóreile buddies, our first time to enter a competition so we weren’t really expecting to win. But guess what?

A few weeks before that, I had the honour of performing as part of Mincéirí Cabaret, Ireland’s first ever Traveller Cabaret show, in DLR Lexicon in September. I’ll be honest, I was a bit nervous about how I was going to be received as a non-Traveller, but I have to say it was a terrific experience, with all of the performers going out of their way to make me feel welcome. Hats off to Mary McDonagh for making it happen. Some footage below of the music we performed to close Act 1.

Just before that, there was a rather cool Culture Night gig on Sept. 22nd at the Butler Gallery, Kilkenny, with Clara Rose & clan, and Marion McEvoy (yes, she’s my mam!)

Some footage from the last summer’s Back Room Dispatch. Thanks to Alan Monahan Photography for the wonderful snaps!

Even When I’m Strong

While you’re here, you might also like to check out my current video, Even when I’m Strong,

Shot by Jonathan Lavery at Camelot Studios and featuring the mighty Clara Rose on lead vocals, Josh Johnston on piano, and string quartet comprised of myself, Lioba Petrie, Mihaly Magyarics and Oleksandra Kristieva. I was recovering from Covid at the time, hence the mask!

Before all that, there was plenty of creative projects in the springtime, including a World Premiere! At Charleville Mall Library, Dublin 1 on 13th March, to mark the opening of an Art Exhibition by the Stained Glass group at Lourdes Youth & Community Services. I’ve been working this past year as Artist in Residence to Dublin City Council/LYCS and they commissioned the piece especially for the occasion. Featuring Ian Finlay of Chatham Saxophone Quartet on soprano sax and Michael Fay on piano.

I’ve now concluded my tenure as Artist in Residence and am sorry to say goodbye. LYCS is a brilliant resource, in the heart of Dublin’s North East Inner City. The Artist in Residence scheme saw me working with a range of community groups in the area to create collaborative art, including the composition above, a piece called Your Language, Your Voice devised with a group of young migrants for Mother Tongues festival, as well as giving workshops in traditional Irish music to Ukrainian refugees living in the area. Some other highlights from early 2023 were a special St. Valentine’s concert with The Gospel Project on Sun. 12th Feb, and a Portmarnock Singers Open Night which saw a brilliant turnout.

All of this follows the publication of my recent composition, Strange Kind of Rain, which I wrote thanks to the generous support of the Arts Council of Ireland.

The work is inspired by the sea shanty tradition, a genre which has gained a certain cachet lately, thanks in particular to a number of TikTok hits during the pandemic. While the finished piece doesn’t have much in common with the work songs of a 19th century merchant sailing ship, it does draw on a range of cultures and references, and on languages real and invented, just like the crew of a typical merchant vessel. Throughout the writing process, I was haunted by a host of different images; the challenges faced by 21st century fishermen, biblical imagery, sirens luring ships onto the rocks. But the images that I really couldn’t stop thinking about were those of the tiny, overloaded migrant boats making perilous crossings to the EU that have become all too familiar in recent times. The work is scored for choir, cello, percussion & speech, performed by myself, Pia Dunne, Paddy Groenland, Michael McCartan & Sadhbh O’Sullivan on vocals, Lioba Petrie on cello, and Alessandra Azevedo voice over. I hope you’ll check it out.

It was brilliant to get back to rehearsing and performing under more normal circumstances before the 2021/22 choir year was out. (If I never run another Zoom rehearsal again in my life, it will still be too soon) Gardiner Street Gospel Choir returned to singing regularly at Sunday evening gospel celebrations, as well a special performance at Gospel Rising on June 19th and a mass for Pride on June 26th. Also featured at Gospel Rising was Sandymount Gospel Choir who’ve been back performing throughout South Dublin these past few months. A particular highlight was the opportunity to sing at Darkness into Light on May 7th (@4.30am!) – our first time to do this since 2019. Portmarnock Singers were also delighted to finish out the season with a concert in Balbriggan, Co. Dublin with the fabulous Blingmasters & Lady Barbalade

Reflecting on some of the extremely strange gigs done during the lockdowns…….live streams in empty theatres, weird jams with musicians whose faces I’ve still never seen unmasked…Without a doubt, the standout favourite was the show Better Normal. Conceived and curated by Eleanor McEvoy, the show was a concept gig based around skiffle music featuring a 5-piece band, 3-piece New Orleans style jazz band and a 10-piece choir, with myself as Choir Master. Together with some of my Gospel Project buddies, I had an absolute blast rehearsing and filming at O Reilly Theatre, Dublin, in August last year.

What else? Even before the most recent announcement it had been possible to return to performing at wedding ceremonies and, under certain circumstances, wedding afters, so at least I was kept out of trouble 🙂

Prior to that though, the ‘long silence’ was hard for audiences, beyond difficult for people planning their weddings, and it wasn’t much crack for performers either! Here’s me + my Gospel Project buddies talking about the impact of lockdown on professional musicians, and what we missed most –

Choirs:

Just before summer break, choirs were finally able to escape from Zoom-land now that outdoor rehearsals are permitted; challenging, for sure, especially with the unpredictability of the Irish weather, but I’ll take it over singing into a screen any day of the week! Fingers crossed for a safe return to indoor rehearsals in September.

In the meantime, I’m happy to return to in person teaching at Waltons, in tandem with some online tuition. Teaching violin via Zoom: awkward, but not as much so as trying to run choir rehearsals that way!

I’ve also recently wrapped up some very exciting online projects, including this rather special event curated by Gardiner Street Gospel Choir and funded by Cruinniu na nOg

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Before the new year lockdown, Gardiner Street Gospel Choir had been trying out an ambitious model of ‘drive-through’ rehearsals in car parks, which actually makes it possible for members to singer together safely, in real time, though unfortunately we had to suspend this during the 4 months of the 5km travel limit. The photo below may give the impression that I’ve started a cult, but be assured it’s something much more sinister. It’s a choir rehearsal!

I managed to participate in lots of virtual performances in addition to the choral ones, including the rather fun version of ‘Somewhere Over the Rainbow’ below with the good men + women of the Gospel Project

I even had the chance to play with performers from all over the world, thanks to the formidable efforts of The Musical Solidarity Project (I’m in there somewhere, in the midst of the 1st violin section!):

The show also goes on with Zoom teaching and online rehearsals……

The Gardiner Street Gospel Choir has even found a way to continue singing at our weekly mass through the shutdown, I hope you’ll come and check us out on Sundays at 7.30pm. We had a particularly lovely celebration mass for Africa Day on May 24th, when we were joined by our friends from African Gospel Choir Dublin as well as a special celebration for Pride on June 28th.

I also want to share a song I composed some years back, written from the perspective of an older person, a person of faith, looking back on their life. I hadn’t thought about this song much since writing it, but it seems to chime with the mood of recent events –

In the spirit of keeping the music alive when the world stops, I participated in this fantastic project – a Musical Solidarity venture bringing orchestral musicians and singers from all over the world to perform Verdi’s Va Pensiero ‘together’. Looking forward to seeing the results of the ‘Virtual Verdi’.

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Here’s some of the weird and wonderful things I had going on before the shutdown……

An Coinneal

I wrote this piece for a wedding, wanting to write something within the Irish tradition but with a modern twist. When you record audio you can capture as many takes of yourself as you like and layer them all of top of each other, but try doing that live 🙂 This video captures the idea pretty closely though, with multiple Cathys on violin and viola! Made possible by the wise and clever people of Kerbute Productions.

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Gardiner Street Gospel Choir celebrated our 20th birthday (to my personal disbelief – I was there at the first ever rehearsal and I don’t feel that old!) with a special gig at the Button Factory, Dublin on March 8th. If we say so ourselves, it was a kick-ass gig. And we didn’t know it at the time, but it turned out to be the last chance we’d have to perform together for, presumably, quite a while. So grateful that we got to do it.

The Gospel Project are fresh from a rather special gig on Sun. 23rd February in Gandharva Loka, Dublin 2. This is the time when we’re usually back in full wedding mode now that January is over and Spring has sprung…… but not this year. Looking forward to getting back to raising roofs around the country sooner rather than later.

As usual I’ve been on fiddle duty with The Whole Hog throughout the year, check out our website for gig info.

I had the pleasure of guesting with Leonard Cohen tribute act Tower of Song in November in Castletown House, Celbridge. And a rather special gig in August was a Riverwide reunion gig The Cobblestone, Dublin. One of the most fun bands I’ve ever played in, back together for the first time in years.

Gardiner Street Gospel Choir had a brilliant 2019 which included a sold-ut concert in December, a terrific performance at the Five Lamps Arts Festival in May, headlining the Gospel Rising Festival in May as well as singing our hearts out at mass every Sunday night in ‘God’s gaff’ (St. Francis Xavier’s Church)!

Portmarnock Singers concluded a great year’s music making with our summer concert on May 10th  – https://www.facebook.com/events/2170140799944759/

and Sandymount Gospel Choir turned in a pretty awesome concert on Fri. 24th May.

May also saw the conclusion of Clamour and Roar, a choral/theatre project I’ve been working on since October 2018, at the Civic Theatre, Tallaght under the directorship of Veronica Coburn.

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My return to the wonderful world of Gardiner Street Gospel Choir got off to a rip roaring start on August 22nd with a performance at the RDS for the World Meeting of Families.

A Valentine’s Day special with tenor Mark Walsh and pianist Francesco Amatucci

October  2016: The Lazy Band album launch

In My Garden is a celebration of a musical experiment among friends who have long delighted in the sharing of good music with each other and with local Dublin audiences. The 14-track album is a collection of original and traditional songs, tunes, covers and poetry recorded over a week in January at the Galway home of Josh’s aunt Lorna, dubbed “the potting shed”. www.thelazyband.ie

Summer 2016: Arts Council Travel & Training Award

I was rather pleased about this. I received a Travel & Training Award from the Arts Council of Ireland to travel to the U.S, to St. John’s University, Minnesota, where I attended an amazing course with the prestigious VoiceCare Network, learning in greater depth about vocal pedagogy, and further developing my skills as a choral conductor. A brilliant opportunity for which I’m very grateful.

July 2015 Heard You Call My Name released!

The latest single from my new EP is now available from 

Penned by yours truly and performed with raucous energy by The Gospel Project, this first single from the Letters to Loved Ones EP is guaranteed to have you humming and clapping along. Or your 99c back 🙂 Enjoy.

Letters to Loved Ones EP now available to download!

Sure why not buy the whole EP while you’re at it. Yes, it’s finally happening. It’s been epic. Singers have lost their voices. Files have been corrupted. Engineers have disappeared from the face of the earth. But a few broken strings and quite a few grey hairs later, Letters to Loved Ones has now been unleashed. Just click here to enjoy my quirky blend of gospel, alt rock and folk.  I hope you like it. 

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Bamboo Sessions June 7th 2015, St. Finian’s Church, Dublin 2

This was one of the most enjoyable projects I’ve participated in in a long time. A singer-songwriter night with a difference: live string quartet. 6 Dublin-based songwriters – myself, Danny G, Celine Carroll, Edel Meade, Enda Reilly and Sive – performed our own songs and each others in arrangements for string quartet prepared specially for the event. The quartet featured myself and Imogen Gunner on violins,  Mary Barnecutt on cello and Niamh Roche on viola. Lovely venue, great crowd and a terrific evening’s music. Who could ask for anything more?

Under My Bed 2015

On Friday March 13th, a piece of mine for SATB choir, piano, cello and soprano soloist, was premiered as part of Under My Bed in Smock Alley Theatre, Dublin. If you missed it last year, Under My Bed is an extraordinary project; people from the arts world and beyond are invited to write a short piece on the theme ‘under my bed’, the resulting works are then performed over several magical nights in one of Dublin’s most charming venues, and most importantly, vital funds are raised  for children’s charity Barnardos.

I assembled a special ‘Under My Bed’ Mixed Voice Choir for the event, all of whom are shared their talents freely and out of sheer goodwill.I still can’t believe my good fortune in getting the singers and musicians I did on board. Here we are pictured during rehearsal…the furrowed brows testify to the fact that the piece is a little tricky! But the performance went very well indeed. Delighted to have been part of this marvellous event.